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Mystery Science Theater 3000 is, to me, the greatest TV show of all time, bar none. The Wire ? Breaking Bad ? I spit derogatorily at them!...

Sunday, January 30, 2022

1107 - The Land That Time Forgot

They look like pterodactyls. But, they can’t be. They’ve been extinct for millions of years!

 

Dinasawrs!
 

For every Ray Harryhausen dinosaur movie, with top notch stop-motion special effects, there are ten with rubbery puppets, guys in suits (and not the good, Godzilla kind) or worse, real life lizards with fake fins and horns taped to them. The Land That Time Forgot’s puppets are about as representative of pre-Jurassic Park B-movie cheese as you can get, with designs that are as scientifically accurate as a first grader’s drawings, but with a real charm to them that’s both goofy and a little menacing. They’re better than Reptilicus, but not as good as The Beast of Hollow Mountain. But the movie’s real special effect is its main actor: Doug McClure. Best known for his work on TV series The Virginian, McClure made a second name for himself starring in a series of pulpy sci-fi adventures for Amicus Productions for director Kevin Connor. So, when MST3K returned, it was no surprise to see McClure show up. But, just as the movie’s special effects fall somewhere in the middle, does that mean the episode does as well?



Matte paintings that time forgot.

 

Based on a series of stories by Tarzan creator Edgar Rice Burroughs, McClure plays Bowen Tyler, an American who survives the torpedoing of a British civilian ship by a German U-boat. Teaming up with the other survivors, they overtake the sub and its crew and end up lost near Antarctica. There, they discover the land of Caprona, where dinosaurs and cavemen still exist and are more than happy to eat any wayward adventurers. With the sub low on fuel and Caprona a surplus of danger, Tyler and gang must find a way to work together, discover the secret of Caprona, and escape before something disastrous happens, like say a volcano erupting and destroying enough things to end the movie.


Pterosaurs aren't technically dinosaurs, just FYI.

 

With a synopsis that includes dinosaurs, submarines, charismatic manly actors, and being based on works by Burroughs, you’d think this would be either a rollicking pulpy adventure for Jonah and the Bots to ride through or a ridiculous turkeysaurus that would give them a lot of meat to sink their teeth into. However, the movie falls somewhere in between. Its pacing is a little laden, with drama aboard the sub taking up so much time that it’s a half hour in before they even reach Caprona. This leads to Jonah and his own crew trying their damndest, throwing out tons of riffs, with partially successful results. For every one where Crow says, “You know, basically war is just like a bunch of people playing pranks on each other, but at the end, they all die,” there’s Jonah just saying, as the editing shows a frame of Lisa the scientist, “Men are so stupid.” But their hit to miss ratio is just a little on the hit side, and they’re still good at making a joke out of anything, so when presented with a shot of the gray ocean weather, when Jonah says, “This is what every Star Wars movie looks like before the CGI gets put in.” 

 

What a good third of the movie is like. Because who needs dinosaurs when you have hot submarine action?

When the crew finally do embark upon the titular land forgotten by time, it’s also a mostly mixed bag. There’s a fast sequence of jokes when the sub is attacked by a plesiosaur that feels like the SOL crew is throwing everything at the wall in the hope something sticks. So you get Tom going on a long bit about Doug McClure setting a trap for a plesiosaur that show sup that’s really just him rambling. But, you also get Crow saying, “Nessie’s pissed!” It’s very emblematic of the renewal’s riffs per minute ratio, where at times it feels like they’re just trying to fill every second with something. But, again, that also means you get great bits like Tom saying, “So that creature’s probably endangered, right?” and Crow replying, “Oh yeah, for sure, last of it’s kind, a priceless it’s sweat cures cancer, blah blah blah kill it kill it!”


Plesiosaurs and other extinct aquatic reptiles also weren't technically dinosaurs.

 

The jokes about McClure have about the same slightly over 50% success rate. Some are clever digs at his super-Americaness, like when somebody says Caprona is about 200 miles across, and Crow says, “Uh, how many football fields is that?” and some are just blunt and bland like Tom saying, “I’m the American And so I need to be at the center of the action. Look what I can do!” But again, there’s just slightly better hit to miss ratio, so we still get good gags like, when Tyler is exploring, Tom says, “Remember, if we find any indigenous tribes, I’m the god,” to which Crow and Jonay say flatly, “Yes, Mr. McClure.” “But if it’s one of those cultures that kills its god, then Bradley’s the god.” “Yes, Mr. McClure.” And yes, of course they make a Troy McClure reference.

 

Ark: Survival Evolved has come a long way since launch.

 

The host segments are also on the mediocre side, like Jonah and the bots playing sub and getting attacked by a space robot squid, which is cute and very Joel-era, and another about Crow worried he’ll evolve into a person and die is okay. But there is a standout in the Moon 14 restaurant skit. Turns out, Kinga and Max have been raising dinosaurs for food on the moon! And their place has a catchy jingle that just gets more and more ridiculous. “Plan to dine in the land before time! Moon 14!” turns to “Tiny little arms with great big flavor! Moon 14!” Its a standout part of the episode and quickly became a personal fave skit.


I got more enjoyment from this skit than I ever did actually eating at Buffalo Wild Wings.

 

Overall, this one has a ton of gags as befitting the newer seasons, but it feels like almost half the time they’re doing it just to say something rather than because the movie engaged them to make a good joke or observation. It sometimes feels like its another weird case where if the movie had been worse, say if the dinosaurs were even cheaper or if Doug McClure’s character was as boneheaded and kill crazy as chunkheads from 50s scifi schlock , they’d have had more of a ball with it. But damnit, do they try. It’s just a shame that a well-known B-movie actor and a bunch of fun rubber dinosaurs results in just a slightly below average episode. Still, if the worst I can say about the episode is that it’s slightly below the hilarious average, and you enjoy cheesy dinosaur movies like I do, you’re still looking at a decent time.


Episode in a Riff:

-As the movie shows a nice matte painting of Caprona:

Jonah: “This looks pretty paint by numbers.”

Crow: “The background or the plot?”


Random Asides:

-So I chose this episode not only because it's ringing in the new year ("time", get it?!?) but because I'd just recently seen Jurassic World: The Exhibition when it was here in the area. Hard as it is to believe, but I liked the Exhibition even more than this episode!

-Because one set of professional riffers aren't enough, here's Brandon's Cult Movies review of The Land That Time Forgot!

 

-Sure, we get a Jurassic Park joke, but would it have killed them to throw in a Skull Island or Lost World reference as well?

-Why yes, I do think that’s nitpicking. And it’s my blog, I can do what I want!

-The fact that the crew is smart enough to check the potability of the drinking water is pretty smart

-”It’s more chronologically accurate to say chicken tastes like dinosaurs.” -Tom

-From the Moon 14 skit: Jonah: “Wait, are they raised cruelty-free?” Kinga: “Oh, no, no, we are very cruel!” Max: “These beasts died out before God made those rules!”

-I like how they explain some of the edits made to the movie, like the numerous back-and-forth of who’s in control of the sub, as some of the Kingachrome movie leaking out.

-I love Kinga angrily tearing up the piece of paper at the end.

-My favorite moment from the Gizmonic Institute Radio podcast on this episode: when Jeff identifies his favorite dinosaur as, “Zombie T. Rex being ridden by a noir-ish wizard detective and a one-man-band playing polka.”

-”JINGLE!”

 

Additional Links:

Satellite News Review

MST3K Fandom entry

Annotations

Gizmonic Institute Radio podcast

TV Tropes Recap


Friday, January 21, 2022

The Time Bubble Tour!



2022 is looking to be a great year for MSTies. Season 13 starts up in just a few months, and to finish off the last year and start the new one we have the latest MST3K Live show, The Time Bubble Tour! And I can hardly believe I’m writing this, but as hilarious as the last two lives shows I’ve attended were, this one may have been the best.


 

Part of that may lie with the choice of movie to riff. Considering the previous movies chosen for the live shows included a film about a giant brain controlling people through self-help TV and a martial arts movie about a kid who is befriended by the ghost of Bruce Lee, it’s saying a LOT that Making Contact may be the strangest of them. Directed by a young Roland Emmerich, Making Contact is about poor Joey, who’s dad has recently passed away. Luckily, Joey seems to be able to communicate with him via a magic red telephone. Also, Joey is somehow developing telekinetic powers! And he finds and evil doll in the run down house next door! It’s… you know what, I’ll just let other professional movie reviewer Brandon Tenold of Brandon’s Cult Movies explain.


 

Suffice to say, the movie is a bonkers mishmash of Spielbergian tropes and visual style, and it provides plenty for Emily and the Bots to riff on. There’s the numerous ways the movie apes Spielberg’s style, what with its atmospheric lighting and copious special effects, the “Goonies” like presence of other kids (who are actually bullying Joey!) and the way the movie seems to transition from “talking to dead dad” to “evil ventriloquist dummy shooting lightning” with little explanation. And the cast and crew pounce on everything I think it was Conor McGiffin’s Tom, saying, during said dummy electrocution, “Raiden Wins. Little things like the prevalence of slats in the movie become great running gags and even feature into the host segments at the end. There’s a series of jokes Emily and the Bots dub the cast of kids things like, “Jim Henson’s Stranger Things Babies!” There are even just plain clever jokes, like one bit of synchronized singing as they make up a song to the tune of “Carol of the Bells” about the movie when a reel to reel is played (which got plenty of applause) to what may have been one of the funniest things I’ve seen from MST3K, as the evil dummy strokes a wooden beam its sitting next to, causing Nate Begle’s Crow to made lewd comments about how smooth and strong it is, even when the camera cuts away, he continues, “Oh yeah, it’s so good. You can’t see it but I’m still doing it!” It goes on for a solid minute and I was literally crying with laughter.



The host segments in between aren’t wont for hilarity either. The Spielberg aping leads to the “Spielberger Helper” sketch, where the bots in Hamburger Helper hand costumes present different Spielberg movies as mixes for directors to add to their film. Then there’s the way that Joey’s room is just littered with 80s ephemera, from Smurfs toys to a Return of the Jedi bedsheet, which leads to an all-time great skit in “The Bootleggies”, where the bots make official knock-off toys, from “Letgoes!”, building blocks that let you build anything you can imagine, once, to the more disgusting things like “Rainbow Blight” and, my favorite, “Slonky”, the Slinky that wets itself. It’s as clever as the show gets and absolutely slew me. Even the Time Bubble itself, an invention of Yvonne Freese’s Mega Synthia’s, leads to a fun bit where the movie is done in silent film style before reverting back to normal.



My biggest complaint with these live shows will remain that they’re not recorded so I can’t relive them, effectively making these lost episodes. But the highest compliment I can pay the show is that, after seeing the live crew so many times, and now with Emily hosting on her own, I can’t wait to see how their episodes of Season 13 turn out!

 

Random Asides:

-He’s not listed in the credits, but I swear to God that’s Joe Leahy, “Our Announcer” from Freakazoid! as the TV announcer in the movie.

-I wish I could remember what the Bots’ rhyme for Slonky was, but it began, to the tune of the Slinky theme song, “What pees down stairs…” And I missed the rest because I and the entire audience were laughing too hard.

-The follow up was even better, as Emily makes the Bots apologize, leading to this exchange:
Bots: “We’re sorry.”

Emily: “For what?”

Bots: “For pushing the limits of good taste until they snap like an over-stressed flight attendant.”

-I really hope they release clips of the “Making Contact” song Emily and the Bots sing and Crow’s “Mahogany Wood” bit. They are seriously killer.

-There were quite a few solid video game references in this one, from the “Raiden Wins” bit above, to when the kids are exploring the dilapidated house and Emily says, “We’d better find all the bottlecaps we can before a deathclaw shows up!” to, as the kids are lost in the random labyrinth at the end of the movie, Emily also says, “I never liked the shadow temple.”

-This one featured what may have been two of the darkest jokes ever featured on MST3K, and they happen near the end, so spoilers if you haven’t seen it yet: the first is when it appears Joey has died, as as his mom comes into view, one of them, I think it’s Tom, says, “Better luck next kid.” Then, soon after, as Joey opens his eyes, seemingly awake and fine, I believe it’s Crow who says, “I smell burnt toast.” Just… muah perfectly dark riffs.