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Welcome to Riffzilla A-Go-Go: A Mystery Science Theater 3000 Watching Blog!

Mystery Science Theater 3000 is, to me, the greatest TV show of all time, bar none. The Wire ? Breaking Bad ? I spit derogatorily at them!...

Wednesday, January 31, 2018

106 - The Crawling Hand

*Whistles* Little human ha-and? C'mere, boy!

Bad effect enforced method acting.

Oliver Stone directed an a horror movie in the early 80s called The Hand, about a vengeful cartoonist played with sneering menace by Michael Caine who loses his hand in a traffic accident, and whose personal enemies, such as his ex wife, start showing up strangled. Is he doing it? Or is it really his disembodied hand acting out his deepest desires? It’s an underappreciated little gem of a flick. The Crawling Hand is about the ripped off arm of an exploded astronaut that slinks around pulled by wires and held up to the throats of actors unconvincingly pretending to be strangled. It is not as good. But, is it not as good in the way that makes for a solid episode of MST3K? And, can Joel and the Bots give it the riffing it deserves this early in the show’s run?

Space Agency scientists Steve and Kent have a problem: all the spacemen they shoot up keep going crazy and exploding! After their latest sends them a video message, wearing Robert Smith brand eye-liner, screaming about killing them and begging them to press the self destruct, they oblige, and mope around wondering what went wrong. Meanwhile, well-meaning teen Paul and his unbelievably gorgeous Swiss girlfriend Donna are frolicking on the beach when they come across a nice scene of her changing into her swimsuit I mean the astronaut’s body parts, namely his arm. Paul becomes fascinated by it and sees it as a way to make money or get fame or I’m not sure, the movie’s kind of vague on that. Either way, Paul takes it back home, and in the middle of the night, it just plain acts rude and strangles his landlady. Soon, the malevolent entity inside has spread to Paul, causing him to strangle others. And the sheriff, played by Alan Hale Jr., is mighty suspicious of him. Meanwhile, scientists Steve and Kent are trying to locate the missing astro-pendage, and wonder if Paul knows what’s going on. It’s mainly a lot of Paul arguing with his girlfriend, the sheriff played doing some bad investigating, and Space Agency guys doing a poor Mulder and Scully. Honestly, it’s a lot of build up for not a lot of crawling or strangling.

And just as the junkyard cats that eat the hand at the end (yes, really) find out, there’s not a lot of meat on this film to chew on. This was probably the first time I’d seen this episode since I bought the VHS of it back in high school, and both the movie and the early skills of Joel and the Bots leave a lot to be desired. There’s some anachronistic pre-NASA pseudo science and the presence of the Skipper, but that’s about it. Sure, the main character is kind of a low-rent James Dean-y rebel, but only occasionally, and there’s a cantankerous old guy running the local sock hop, but he’s got like two scenes. The main things they have to work with are the Space Agency guys, with their spying and techno-babble, the presence of Alan Hale Jr, and the entire concept of a killer hand.

Pictured: doom of the world.

And while them at their peak could make a perfectly joyful episode out of that, this early on, it’s mostly a learning experience. Joel gets up and walks around the theater as the scientists babble on about pseudo-science early on, and the first 30 minutes are a slog until Paul finds the arm. And though it does pick up, it still feels stuck in second gear. Most of the jokes about Alan Hale Jr. are just pointing out he used to be the Skipper, jokes which will be done better in episodes like Angels’ Revenge. And let’s not list the number of groan-inducing arm puns they make. Okay, just a few: Gotta hand it to him.” And, “went out on a limb with that one”. Groan, guys, groan.

There’s also a lot of “state park” jokes, like saying Paul’s landlady looks like Tammy Faye Baker and that Paul, when possessed, looks like Robert Smith of the Cure, instead of, say, singing some Cure songs when he looks that way. And when they do try it that way with a joke about one of the characters looking like a member of the Fine Young Cannibals, their delivery is a little awkward and forced. And there’s a scene where the old manager of the soda shop is strangled while hot jazz plays on the jukebox that them in their prime would’ve had a blast with (like Tom does in Leech Woman). 

A lot of the lower stretches are also because the show is just beginning and still experimenting. They’re maybe a year out from having been on Minnesota public access and on a just-starting cable channel (the Comedy Channel, which would one day become Comedy Central). So there’s a lot of experimentation and growing, from working on their deliveries to changing the color of silhouettes to a dark green (which thankfully they never did again.) The host segments are also a little rough, but goofy fun, especially the one where Joel and the Bots pretend to be strangled by fake plastic hands to practice their Shatner acting.

Joel is done with their techno-babble
There are some bright spots though. A few jokes have stuck with me even after not seeing this for a decade or so, lines like, after said cantankerous shopkeep says, “no dancing, not allowed,” and, “no music, not allowed” to all the teens’ fun, Servo goes, “No acting, not allowed.” And later, when the scientists are speculating about what could keep the hand alive, a substitute for oxygen, Servo spouts, “It’s new Oxygen-Lite!” There are some signs of how clever the show will get, though, and even using the same material to riff on. Upon seeing the hand, Crow says, “I remember him from Def Leppard!” And when Alan Hale Jr. steps into frame in one scene, Servo says, “Hey, where’s the body, little buddy?”

A friendly reminder that Alan Hale Jr. is in this.

Though it has a few bright spots and some solid jokes, the writing and performing are just not what fans of the show are accustomed to, and the movie itself doesn’t offer a whole lot of either cheesy fun or riffing factor, either. So only die hard MSTies may want to seek out this one. That said, it says a lot that, even when experiencing the old and rough version of the show, I still come away feeling warm, fuzzy, and entertained. Not many shows can do that, gotta hand it to em. Thank you, I’m outta here!


Episode in a Riff:

As Paul prepares to take the hand off the beach: “I don’t think it’s freeze wrap, I think it’s a hand bag!” -Servo
Random Asides:

-This may be the first appearance of the “I thought you were Dale!” reference. And in a movie about a disembodied hand no less! That’s gotta be MST history.

- My favorite memory of this one comes from Trace’s MST3K Monster! Entry in the ACEG: “Eaten by a cat. The world is saved.”

-Mike is MEAN to Alan Hale Jr in the guide, too. “Even then, it was obvious he was destined to become a greeter at the Skpper’s seafood chain.” Damn.

-I love Joel’s itnro: “Okay, Cambot, you don’t have to put the applause in.” he says as he’s marooned in outer space, but lounging around in a smoking jacket drinking either coffee or cocoa. This is what I imagine life on the SOL is generally like. That, and incredible madness

-I also love the Mads' invention of an arm lengthener: great imagery.

There's a comic waiting to be made about an evil, more Dr. F -like Reed Richards

-Another sign they’re still figuring out the show: the bots aren’t even in the pre-movie host segments. It’s a little awkward. That said, I love Joel’s huge scream during the circular saw safety gag.

- According to ACEG, the green silhouettes are also in The Slime People a few episodes later. It’s rough, signs of the show growing and how they let the execs at CC direct them to do dumb crap.

-Speaking of the episode guide, Mike is right, the main character’s girlfriend is gorgeous!

-“Space Operations, Florida Division.” How I love how movies and TV portray pre-NASA space flight.

-“Cambot, remind me. Next time I make a robot? No more free will.”

-The Space Agency guys are like Mulder and Scully in an episode where they don’t do jack but one or two things and just show up at the end to summarize what happened.

- JUST as I was thinking it, Joel points out how it’s a low budget movie because they don’t crasht he car! Damn.


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Sunday, January 7, 2018

818 - Devil Doll

You're just an ugly wooden dummy...

Puppets riffing puppets.
 
Come see the Great Vorelli! See his amazing powers of hypnotism that make women dance and men think they’re about to be killed! See his amazing ventrilloqui puppet Hugo! Watch in amazement as Hugo talks and walks on his own! Feel the acid from their acrimonious relationship as Vorelli berates Hugo for being a dumb little puppet, and Hugo brandishes a knife in return! It’s the amazing, totally not super creepy act that’s entranced England. Witness the plight of the poor Marianne, whom Vorelli has eyes on for her beauty and her money. Shiver in fright as her lover Mark tries to uncover the truth behind Vorelli and Hugo, and gasp at their secret history!

In reality, instead of being a pulpy, trippy mix of ventriloquism, soul transference, murder, and Great Britain in the 60s, Devil Doll is a tepid and dull excuse in horror. But, it’s those elements that give Mike and the Bots so much to feed on and result in a gem of an episode. There are jokes at the expense ventriloquism in general, like Servo saying, “See as he doesn’t talk and I don’t move my lips!” They also serve up plenty of Brit riffs, from numerous examples of British huffing and puffing and murmuring sounds, to calling the food, “Stewed tripe and curdled pork butt,” and that’s before the main characters take a side trip to Germany! They even make light of how dour the movie is, from Servo announcing as a Taxi stops, “The most depressing spot in London, Sir, just as you asked,” to, Mike, as the camera pans in on the brooding and villainous Vorelli, morosely saying, “Darling, I'm in a wonderful mood.” 

50 Shades of Grey by Jeff Dunham.
 
This movie’s like a dinner where each dish on their own would’ve been tasty, but piled up, makes a hell of a meal. There aren’t a ton of literary jokes or obscure references, just the joy Mike and the Bots have at being wry at the whole drab-yet-silly endeavor. They make each other chuckle a lot in this one, always a good sign. It’s kind of like you’re stuck seeing a bad, overly-serious play, and you and your friends have the privacy of the back row to joke through the whole thing. The only things keeping this from being an all-time classic episode are the lack of anything really cheesy, memorably dumb, or painfully annoying in the movie, which is too drab to be that entertainingly bad.

Their joy at taking the piss out of the movie carries over to the host segments too. British movie? Time for Crow and Tom to make an old world pub! Devil themed movie? Time for an appearance by Pitch, selling Crow evil dolls! And the final segment, where Crow pretends to be Vorelli and dresses Mike up as Mike-o the dummy, needs to be seen to be believed. There’s a little disconnect with Pearl and Brain Guy on their part of the Great Chase storyline, stuck in ancient Rome, but it’s fine.

Pitch trying to make an indecent living.

Season 8 offered so many good episodes that some just seem less by comparison. And while Devil Doll isn’t Space Mutiny or The Giant Spider Invasion, it’s a solid and hilarious entry that deserves to be re-watched by fans who haven’t seen it in a while.


Episode in a Riff:
“Mike, you think if I went away and painted the entire satellite and came back, I’d miss anything?”-Crow


Random Asides:
- Vorelli’s act isn’t just bantering with his puppet, but berating him, like a really bitter couple bickering on stage. Love it.

-The intro segment, of Tom and Crow trying to throw a bitchin’ Friday college kegger, with only a window, is great, as is Mike’s reaction. “ So we’re gonna have a big rockin’ dorm blowout and what we have is, exactly, a window.”

-The moment when a drunk Crow smashes in the window, supposedly for a woman, is not the first time he mentions a “Debbie”; he also mentioned one in his Civil War documentary Crow T. Robot’s Bram Stoker’s The Civil War back in Episode 810 - The Giant Spider Invasion. But here, it’s just plain hilarious to hear him scream, “Debbie! I punched a window out for ya, baby.”

- Poor Mike is often the babysitter and the therapist for these dumb puppets, especially when having to console a drunken Crow, who is screaming about a non-existent woman named “Debbie”, and Servo, who is distraught over a broken window that he bought for an ephemeral reason.

-I know the Scifi channel thrust the serialize storytelling on them, but Pearl and Brain Guy forced out of their element in Roman times is great.

-“Brain Guy! Get over here and save my bacon again!” Pearl and Observer’s relationship in a quote.

-Who’s creepier, the Great Vorelli or Carlo Lombardi from Episode 808 – The She-Creature?

-I love angry Mike is at the appearance of the demonic Pitch, and how Pitch is just casually trying to make a sale of evil dolls to Crow.

-MST3K considers slamming Bruce Willis and Demi Moore edgy. That’s cute.

-40 minute mark: did a hypnotized Marianne walk through all of London in her nightie.

-54 minute mark: some precise editing when Vorelli’s female assistant rolls around naked in bed.

-Crow’s explanation for why he’s dealing with Pitch: “Obviously, just to become more powerful in the service of the Master so that I may deliver more souls to his dark realm!” Solid reasoning.

-The Mike-O bit isn’t just memorable because it shows up in the show’s intro again, but because it pretty much exemplifies the Mike / Bots relationship.

Mike's life on the SOL in a nutshell.

-“Not only can’t you have ham, you can’t have any luncheon meats! Not bologna nor capastrami, not even cotto salami! Why? Because lunch meats make the sawdust in your stomach explode!”

-I have to admit Bryant Haliday is fun in the roll, very sleazy and evil. William Sylvester floats through the movie like he does in most of the movies I’ve seen him in. No wonder Roy Scheider took over as 2010.

-I’m glad Shout! Keeps including behind-the-scenes documentaries and interviews with the people behind the movies riffed, but God bless Richard Gordon, one of the old producers they found to talk about it, but I found it a pretty dry recanting of how the movie got made.

-I’m not sure how many times Paul Chaplin has played Pitch by this point, but I love his Midwestern cheeriness and by the hour attitude. He said in the episode guide entry that he sometimes worried about playing a demon from hell. “I wonder if I might not be somehow inviting the Dark One into my own soul? I sure hope not!” no Paul, we just invited you into our weird hearts.

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